Pioneering Profitability: Minrom’s Geometallurgical Revolution in African Mining
Article published in Why Africa Digital Magazine In the dynamic and often unpredictable landscape of mineral resource development, informed decision-making is paramount. For Minrom Consulting, a South African based international geological consultancy, this translates to a pursuit of geological excellence and leveraging the critical yet underestimated value of geometallurgical modelling. By integrating detailed ore characterisation […]
Artist Bio: Jonel Scholtz
Jonel Scholtz’s artistic journey is as vibrant and multifaceted as her paintings. With a background in chemistry and biochemistry, studied at the University of Johannesburg, Jonel’s approach to art is both scientific and soulful. Her artistic endeavours began in high school under the guidance of American-born artist Louise Goudemond, and since then, her work has resonated across galleries and exhibitions worldwide.
Artwork: Cherry’s Rock & Roll
In the vast landscapes of the Democratic Republic of the Congo (DRC), a moment of irony and inspiration was captured by one of our geologists searching for lithium and tantalum in the discard dumps scattering the landscape of Manono, DRC. This was no ordinary sight and a profound connection with a young lady miner sparked this captivating artwork, “Cherry’s Rock & Roll.”
Artist Bio: Michelle Oosthuizen
Michelle Oosthuizen is a talented artist whose work is deeply influenced by the human experience and the world around her. Michelle is particularly moved by the stories of children who face adversity and hardship. Her paintings often explore themes of resilience, determination, and the indomitable human spirit.
The inspiration for “The Boy of Manica” came from a photograph taken by a friend who works daily within the harsh realities of the African mining industry. The image of a young boy working in a gold mine, with a look of determination and courage in his eyes, deeply touched Michelle. She wanted to portray his resilience and dignity in the face of such injustice and hardship.
Artwork: The Boy Of Manica
The Boy of Manica – A Delicate Balance of Survival and Hope
In the remote landscapes of the Manica Highlands in Mozambique, an 8-year-old boy’s life intertwines with the pursuit of gold. This painting, inspired by a photograph taken in 2010 by one of our geologists, unveils a poignant moment taking place 20 metres underground. The boy, small enough to crawl into spaces where adults cannot, sifts through the earth with a pipe providing air from a distance above.
This image is a glimpse into a complex reality playing off around the mine. It is a world where the boy’s agility becomes both a blessing and a burden, allowing him to provide for his family in a way that few others can.
Artist Bio: Nisty Chatha
Nisty Chatha is an artist whose work explores the concept of collective identity and the interconnectedness of human beings. His art delves into the idea that when people work together as a collective, they can make the world a better place.
In his paintings, Nisty often depicts multiple figures within a single body, representing the idea that we are not singular entities but rather part of a larger collective. These figures are on a journey to elevate themselves financially, physically, and emotionally, hiking towards the highest part of the body, the mind, which represents validation and acceptance.
Artwork: Future’s Gaze
Picture this: In Africa’s heart, a young boy, VR headset in place, looks ahead into what might be the future. But there’s more to this image than just tech. It’s a nod to Africa’s treasure trove of resources.
While these elements power global tech, they come from a continent that’s still grappling with economic challenges.
The candle in the boy’s hand? It’s a throwback to the traditional mining methods, contrasting beautifully with the futuristic VR headset.
Artist Bio: Jo Roets
Capetonian Jo Roets is a distinguished sculptor, painter, and mould maker whose passion for art has been a lifelong journey. Her unique ‘light relief sculptures’ are crafted from self-drying natural stone clay, pushed to its limits to create delicate bass relief artworks. Using unconventional tools, Jo intricately scores the clay, allowing it to warp naturally, adding a unique touch to each piece.
Artwork: Stratigraphy Of Humankind
South Africa’s rich tapestry of mining history is intricately woven with tales of prosperity, trade, and resilience. At the heart of this legacy lies the ancient Kingdom of Mapungubwe, situated at the confluence of the Limpopo and Shashe rivers. Flourishing between the 11th and 13th centuries, Mapungubwe stood as the most complex society in southern Africa.
Artist Bio: William Onker
Born in 1977 in the Western Cape, Onker’s artistic talent was evident from a young age. Educated in Kraaifontein, he garnered every diploma during his school years. In his early 20s, his interest in the acrylic medium was ignited, leading to commissions from the surrounding community. His first official exhibition was held at the Retreat Library around 14 years ago, and his reputation grew exponentially, especially on social media platforms.
He later transitioned to oils as his preferred medium. Today, he collaborates closely with The Cape Gallery. His artworks grace walls across international borders, including the USA, UK, Germany, Australia, and France. Most of his pieces are commissioned, showcasing his expertise, especially in landscape art.
